Birthday Shenanigans and Release Buzz

I know, I know. I probably should have mentioned all the birthday shenanigans over the last week but … Hey, I was busy doing fun things.

Like visiting Craters of the Moon and going to the movies and eating steak and having pie. (I maintain that pie is better than cake.)

But in the middle of all of that, I also have been reminding people about Persona’s May 1st release date. 

Persona took me over a decade to write.

That’s right, over a decade. I started writing it when I was 19-20 years old and then life happened and I stopped writing and while this could have been considered a “trunk novel” … I just couldn’t let it go.

If you’re not familiar with the concept of a “trunk novel” I’ll go ahead and explain. You see, there are many professionals out there who say you need to write a couple of novels to get the feel of storytelling and learn the mechanics of the writing craft. These beloved little first creations are known as “trunk novels” because they are supposed to be buried inside a trunk and never see the light of publication.

The general consensus seems to be 5 trunk novels, with the 6th novel you write coming close to publication quality. And once those five are written, you bury them and/or burn said trunk, thereby assuring that your terrible first-tries never tempt you into touching them again.

Persona, whose title underwent many changes over the last decade, would have been my 2nd attempt at novel writing.

Now, I’m not vain enough to say that the early drafts of this book were any good. In fact, they were awful. So very, very awful. And if I were going solely on the plot concept, this book would have been burnt with the other trunk novels.

But … Megan was too compelling a character for me.

She is an independent, strong character without moving into the cliches of the woman-warrior. In fact, she doesn’t fight … not physically, anyway.

Her choices are what make her strong.

So, back in 2013, I decided to pick her up again. While I kept the novel based in WWII, 98% of the plot was altered. I kept only Megan and a handful of characters from the first work, which I imagine means I burnt the trunk novel after all.

I’m not sure what I did here could be considered a “rewrite” given how much of the story changed. Still, her beginnings were in my youth and I remember those first attempts with a great deal of fondness.

Writing Persona taught me quite a lot about being an author. I learned to cut things I held dear and to dig deeper into the minds of my characters – even the ones I never gave a true voice in the work.

I am proud of Persona, both because I love the story and because it is a clear map of my improvement as an author. I hope many other people can be inspired by Megan’s journey to understand herself and the world around her.


AJMaguire-PersonaCoverArt-ChrisHoward_rev28_ART_ONLYNothing is more important than who you choose to be, and for Megan Shepherd that choice has never been more important or more terrifying. In the middle of WWII, her ship is sunk in the Atlantic and all of her hopes and dreams for a new life translating papers for the JTLS in Britain sink with it. When she’s picked up by Germans she discovers that her understanding of the language is the only thing keeping her alive.

While under the scrutiny of the local SS, Megan’s plot to escape the country is derailed when escaped POW Sam Layton lands on her doorstep.  As the Allied Advance begins to box in the Third Reich, Megan and Sam make a mad dash for the Swiss border. But the truth never stays buried for long and those Megan has tricked are out for vengeance.

Fact vs. Fiction – Historical Novels

Persona is my first attempt at the historical fiction genre and while I love history, I found writing within the confines of known facts difficult. This isn’t too surprising given all my other novels are fantasy or science fiction, but it was still an eye-opener for me.

Take, for instance, the very first chapter of the novel.

Without giving too many spoilers, I can tell you that my main character – whose name underwent several changes throughout the editing process – is traveling to England. Young Megan Shepherd couldn’t stay home, not with her father breathing down her neck about the engagement she just called off, so she answers the call to help translate papers for the war effort in Europe.

The very first version of this novel had Megan in a big, noisy, military airplane.

Said airplane was shot down. There was a lot of action in that first chapter. It was exciting and fun and I loved it.

But …

Given that Megan is not in the military, she would not have been on such a plane. And even if she had been in the military, they did not often fly personnel like Megan to and from their respective workplaces.

SO … I had to change it.

Thus, the opening chapter of Persona has Megan on board a boat – the SS Ceramic.

And yes, that’s a real boat. I know the name is a trifle alarming. I’m not certain I would have boarded a boat called Ceramic, but it existed and it became one of the wonderful things I learned about while researching for this book.

Still, this serves as an example of one of the things History made me change about the novel. While I was able to stretch a few things elsewhere in the book or gloss over some of the others, I couldn’t risk losing the reader’s trust in the very first chapter of the novel. I had to find an alternative, something to show that I really had done my homework and that I was going to be respectful both to the history I was working in and to the reader’s intelligence.

I admit that historical fiction feels like more of a gamble to me than many of the other genres. When we’re dealing with science or fantasy, readers automatically walk into it with the sense that they are going to “suspend disbelief” for a portion of the book. They accept that they are walking into the fictional world and want to see what we can make of it.

Not so with historical fiction, and especially not so with something as well known and documented as World War II. While I need the reader to suspend disbelief a little, to accept that Megan Shepherd is not a real person, many of the events she walks through ARE real. And I had to treat them real.

Because people died there.

A lot of people died there, actually. And to treat it with anything less than the utmost respect would have been wrong.

Persona is scheduled to be released on May 2, 2017


The Countdown

I am now exactly three months away from Persona’s publication date.

What does this mean for me?

AJMaguire-PersonaCoverArt-ChrisHoward_rev28_ART_ONLYWell, it means a lot of work, actually. I have a list of things that need to be done like … hunt for virtual space (AKA – look for people online who wouldn’t mind me commandeering their blog/site for a day) and prepping advertising spots and getting reminder letters ready for all the wonderful people who agreed to advance review the book and … so much more.

SO. Much. More.

Side Note: Thank you so much to all of my advanced readers. I’ve heard from most of you already and I really, really appreciate the time it takes to sit down and read a book these days. You’re all awesomesauce on toast and I uber love you.

What happened to the Kindle Scout Campaign?

As predicted, this was not the right fit for me. Kindle Scout is made for people who really don’t mind shouting over and over and over again that their book is up and needs votes. I am not that sort of person.

Granted, if I were that sort of person it is entirely possible that I would sell a lot more books. The tactic seems to work very well for a lot of people. For my part, I cannot justify being that much of a pest. And if I spend all my time promoting, I get no writing done. (I am a single parent. My time is limited.)

Having re-read the manuscript hunting for any last-minute errors and the like, I have to say that Persona is a favorite of mine. While I may have bemoaned all the research I had to do writing a historical fiction, it is still one of my favorite stories. Megan is a gentle hero, which I believe to be one of the more common and less noticed heroes in the world today.

In any case … the countdown has begun! Three months and two days and this novel will finally be out for sale. It’s been a long but very satisfying road to see it get to this point and I’m excited for the next step.



Kindle Scout

Alright, so we’re sort of in a mid-way point with the Kindle Scout campaign for Persona and I figured I’d do a little update to give you the sense I’m getting of this thing.

If you didn’t know already, I’m pretty awful at marketing.

Let’s just be honest with that one. I’d rather go to the dentist and have teeth pulled sans Novocaine than market myself. I do the bare minimum by announcing book releases and sales on FaceBook and here on this Blog.

I don’t know why that is, it just is, which makes this Kindle Scout campaign significantly harder for me.


Cover Art by Chris Howard, who is absolutely amazing.

Well, because if you want to win this campaign, you’ve got to market it. You have to blast your friends, neighbors, strangers on the street, EVERYONE with news about the campaign for the entirety of the 30 days your stuff is running.

30 days of me shouting to check out my campaign and please, please, pretty please vote for it?

Yeah, no. I can’t do that.

It’s not that I’m not confident in Persona.

I love this book. I love where it started and I adore where it ended. It is a solid book. My style has grown and my understanding of the craft has become such that I know it’s better than anything I’ve written in the past.

So it’s not that I don’t think the book is good enough to be marketed. It is. It really, really is.

The problem is that, in our virtual society today, shouting at everyone for 30 whole days to nominate your campaign is … well … rude.

I know I get annoyed when someone is telling me the same thing over and over again. That little snarky judge that needles at my brain says; “Geez, vain much?” Or … “Ugh, I heard you the first time.” Or … “There’s a fine line between confidence and arrogance, my friend. Be careful cause I think you’ve crossed it.”

She’s a mean voice. I really try not to listen to her.

But she’s also a voice that I’m pretty sure exists in everyone’s head. So if I’m thinking that about other people … well … Obviously other people are going to think that about me should I start following suit.

Which leaves us to the problem at hand …

How do you market a Kindle Scout campaign for 30 whole days, keeping it fresh in everyone’s heads while not becoming that annoying, arrogant voice that everyone wants to shut out?

…….. I have no idea.

But then, I also have no idea how to really market my books either. So if you, brave author, already have a marketing plan in place and know how to use it, then Kindle Scout might actually work for you.

Because I’m like … 95% sure it’s not working for me.

Doesn’t mean I won’t try it again in the future, just means that next time I’ll know what I’m walking into and how to prepare for it.

Oh … and … um … here’s the campaign again. (See? Told you I was bad at this.)



Throwing Confetti! (AKA – Persona’s Re-Write is done!)

Technically I started this book over a decade ago while working at a Clinic & Hospital. I toted it around in a notebook and copied pages off for my mother since typing on the electric typewriter (shut up, I couldn’t afford a computer back then) took more time than I had.

Yes, she still has those copied pages buried in a closet somewhere and no matter how much I beg her, AJMaguire-PersonaCover-1280hshe refuses to use them for kindling.

Mothers, you know?

Anyway, seven drafts and a decade later I finally, finally have a completed story.

Many will remember that the original re-write was posted online, chapter by chapter, in 2013 but I hired an editor (like you do) and he loathed the ending so much I had to re-think what I was trying to do with this particular story.

After many nights with mint-chocolate-chip ice-cream, pouring over his notes and sketching outlines (there were at least a dozen before I came up with the one I used) and after an agonizingly long rehabilitation process from the avocado incident in 2014 (I know how to properly core an avocado now, so there’s no worry for me stabbing myself again) I have learned a great deal about the writing process through this one book alone.

First, I learned that editors are worth their weight in gold. Yes, they’re expensive, but I don’t regret the money I’ve laid out.

Second, and this is going to sound weird, but I work better with Courier New font during the draft process and then turning it into Times New at the end. It’s just a quirk of mine.

Third, sticking to a single point of view is hard. At least for me it is. But forcing myself to do this brought the character into more detail, forced me to dig deeper and really explore who she was and how she felt about what was happening.

Fourth, I must be careful of what I’m reading while I’m in the drafting process because my personal style begins to mimic the style of what I’m reading.

Fifth, I am a romance author. I may have Fantasy and Science Fiction and, now, Historical Fiction under my name but in the end, I am a romantic and I want to see my characters find someone who will support and build them up as people. The romance may not be the focal point of the story, but it is there and I refuse to be ashamed of that anymore.

Now then, this does not mean I’m going to start writing straight romance novels. I can’t. I tried that once and ended up with Witch-Born.

It just means that I’m not going to shy away from it anymore.

Love is an integral part of human life.

I mean, even Star Wars has romance in it.

I can write things like that. I enjoy writing things like that, so I’m going to.

Missed Deadlines and Fighting the Muse

I know there are a lot of writers out there that just go with the flow, throwing out however many words a week at sporadic intervals, relying on their Muse to get them through.

Wait, you actually thought you'd be writing today?
Wait, you actually thought you’d be writing today?

I envy these people. I imagine their Muse sitting right beside them, nagging them at all hours of the day to get their work done because there’s sooooo much more to be done.

My Muse …

My Muse is that fat, lazy cat licking herself in the corner. She really couldn’t be arsed to move herself, let alone nag me about anything. If I relied solely on her, I would never get anything done.

So I have to make deadlines. Deadlines motivate me, force me to go to the corner and pick up the lackadaisical Muse and pester her until something resembling a plot starts to show up. This is why first drafts take me so long and why editing has become my favorite thing ever, because editing relies more on style and craft than it does on my capricious Muse.

This is also why a missed deadline drives me to hiding in a make-shift couch fort, gorging myself on chocolate.

Now then, I have missed several deadlines for Persona. At first this was because of the Great Avocado Incident of 2014 wherein I managed to stab myself through the hand.

Yes, I really did that. Yes, I lost feeling in three of my fingers on my left hand and the Doctor’s weren’t sure if I’d ever get it back. It was awful, I tell you; awful.

However, it is now nine months into 2015, I have full functionality with my left hand (hurray!) and I have still managed to miss nearly every deadline I’ve given myself with Persona.


Several reasons …

  1. Because I missed the first deadline.
  3. Because life happens sometimes and there were family issues I needed to attend to.
  5. Because this is the single hardest piece I have ever written.

I think you get the point. While there were other elements that got involved here, the main problem is that I let that first deadline slip away from me. I lost my momentum, my drive, and it took forever to get it back.

So if you’re like me and your Muse is a fat orange cat whose back is constantly turned to you, make deadlines.

And then KEEP those deadlines. Your couch fort and chocolate will only sustain you for so long.

Working with Historical Timelines – Persona Version

WWII is heavily documented. I have volumes and volumes of historical content that have helped me better understand how and why events took place throughout the war.

No, really. Volumes.

I also have several Documentaries on DVD which have helped shed some light on the timeline forAJMaguire-PersonaCover-1280h Persona and the general feel of what was rationed and what was needed and how transportation worked and …

You get it.

All this history is wonderful. I love history. It makes me all giddy inside to research it.

The feeling I get when I find something within my research that perfectly fits the story and adds another level of authenticity is … Well, it’s better than a stack full of York Peppermint Patties. (And I do so love York Peppermint Patties.)

I also hate history.

Discovering something in my research that contradicts the story-line I’ve created is frustrating to the extreme. I research as I go, so there tends to be a lot of revision precisely because of this.


The original opening scene for Persona had Megan on a plane. But it was discovered that planes were generally only used for transporting military personnel and often the wounded for relocation, so it was more likely that she would have been on a passenger ship.

Insert weeks of research hunting for a passenger ship that, for plot purposes, had to be sunk. Eventually I found the SS Ceramic and there was much rejoicing.

Today I find myself in a similar pickle. The outline that I have ends Megan’s story on a very particular date because (without going into too much detail and spoiling the whole book) things happened on that date, in that place, and it brings her story a certain sense of cohesion.

However …

That date is several months away from the current chapter.

There are a couple of ways I can handle this and, as an author who really, really doesn’t want to miss another deadline with this particular book (seriously, I’ve passed several of them already and I’m not even sure why. I’m normally very strict with deadlines) I need to make my mind up by Sunday.

  1. I can rearrange the timeline of the whole book, extending Megan’s stay and bringing things closer to what I want. (Not a bad plan, though a moderate amount of work.)
  2. I can slow this chapter down, be all artsy-crafty-clever with the passage of time. (I’m not very good at this sort of thing, though. It’s an area I need to improve on.)
  3. I can ignore the historical timeline. (I don’t like this plan. I did all the research for a reason, after all.)
  4. I can stretch out the inevitable scenes at the end (which I can’t explain for fear of spoiling things) and lengthen Megan’s time in a very bad place. (Not sure I like this plan either because it draws out the tension too much at the end.)

So many choices. 

As an author these sorts of problems happen all the time. And I imagine when I tackle my Civil War story (likely sometime next year) that I’m going to have a lot of these timeline problems show up.

The core of the issue is that I want to have that authenticity, the reality of what happened integrated seamlessly into the work, but I also want to tell Megan’s story. Megan is fictional. Her story is about who she is as a person, not what happened during WWII.

With that in mind, option 3 becomes more visible. Although I’ve done the research, the research is not the book, and I think that’s really what I have to keep in mind here.

Megan is the story.

As the author, I have to decide which option tells her story best.