Year in Review – 2017

img_0444Can you believe we’re almost into the year 2018? It’s like I blinked and suddenly my year was gone!

2017 was a flurry of activity for me, both in my writing life and in my personal life. However, as this is my writing blog, I will concentrate on my writing victories. My friend L.J. Cohen, author of some awesome YA Science fiction (Derelict is my favorite), got me started on this annual assessment of my writing time.

For those who don’t know the rules, this is where I look at what I projected to have done in 2017 and see what flopped and what managed to get finished. So! What did I say I wanted done in 2017?

1)  Final edits on Usurper – Not only was this done, I got it in to the publisher and it

UC front cover-sample-2
Cover Art by Richard Stroud

went through 2 more edits with in-house editors and is scheduled for release on February 1st.


2)  2nd Edit of Dead Weight – A big green check mark here.

3)  Begin Song of Swans – I am slowly making my way through this novel. It has been started and I am looking at a longer timeframe to get it completed in because the story is so big.

4) 1st Edit of Ashwood – Currently I am neck-deep in revisions for this novel. A lot is changing so this is the more intensive edit and I believe I will be working on it well into 2018.

5) Outline Inmate 87101 – Nope. Not a jot. Double Red XX Marks on this one. I didn’t even think about this novel.

OK… So 4 out of 5 of my goals were met. I’m going to call that a win.

What’s in store for 2018?

Well, in the Spring I am looking at a big move and once that happens I will be looking at a lot more writing time. With that in mind, I have big plans for 2018.

Big, intimidating plans.

Plans that might bite me in the batoosh before the year is over, but I will do my best to get them done.

1) Complete Ashwood edits 1-3 and begin shopping it around. This is my paranormal romance ghost story… thing. I wrote it for NaNoWriMo 2016 and enjoyed telling a love story amidst all that weird ghosty-mayhem.

Scorned2) Complete Dead Weight and release it the Fall. This is the sequel to Tapped. It follows our hodge-podge family of military deserters and religious refugees introduced in the first book.

Also, there will be a 2nd Edition of the original Tapped novel released sometime in the summer. My intention is to give a Fact vs. Fiction version that has some of the research for Pluto/Europa and our solar system in the back. This is purely for fun. Nothing major will change in the story.

3) First Draft – Song of Swans. I am calling this my long project because it is so big, but I hope to have it finished by the end of April.

4) First Draft – The 13th Month. I cannot wait to get my hands on this book. It has been simmering in the back of my head for a while now and I will begin it June.

5) First Draft – Inmate. This is the third installment of the Tapped Series. I will begin work on it in October and finish out the year with it.

Also! In relation to the Tapped Series, I have begun outlining and exploring books/novellas that will span the Galactic Wars and show our intrepid Tango Five in action. I’ll know more about these as I work.

Essentially, I’m looking at 3 first drafts and 3 completed novels, giving me a total of 6 projects done by the end of the year.

Bring it on, 2018.



Memorable Characters – December Round Robin

I knew this girl once who used to smell her soda whenever it got to the table. Pepsi, Coke, Root Beer, whatever it was, once it hit the table her nose was dipping down to get a whiff.

When I finally couldn’t stand it anymore, I asked her why she did that and she turned an interesting shade of pink. Her answer?

“I’m trying to smell if the server spit in it.”

Aside from the fact that you can’t really smell spit in a Pepsi – which I pointed out – this quirk was bizarre enough that I have never forgotten it. However, a quirk does not make a memorable character – or person – because I cannot for the life of me remember her name.

So what does make a character memorable?

In thinking about the characters that I remember the most – Jem Carstairs and Will Harindale from Cassandra Clare’s Infernal Devices trilogy, or Nathaniel and Elizabeth Bonner from Sara Donati’s Into the Wilderness, or Laurence and Temeraire from Naomi Novik’s His Majesty’s Dragon – I realized that all these characters come in pairs.

I understood Will because of Jem, and I loved reading about their trials together. They’re closer than brothers and their friendship was what made them who they were as individuals. I remember them not only because of their quirks – and they both had several – but because of the things they did for each other.

As authors, we tend to hunt for that one special ingredient that will help pop the character off the page. Some illusive trait that might endear – or estrange – our created people to our readers. We’re told that faults and quirks and pitting them up against challenges they aren’t prepared for will all humanize these characters for us.

While all those things certainly make a character interesting and could keep a reader turning pages, they don’t necessarily make them memorable.

I think it’s the relationships that define them. Just like in life, how our relationships help shape and define who we are as people, the relationships on the page are what can make our characters really shine.

We remember Sydney Carton from A Tale of Two Cities because he made a deep and noble sacrifice, but that sacrifice was born from his relationship with Lucie.

Or, to go the movie route, we know Luke Skywalker because of his relationships with Han and Leia. Sure, the force is neat and we get to see lightsabers whoosh through the air, but the heart of it isn’t so much what he can do as why he does it.

We all have complex relationships built on history and experience, and all the tragedies and triumphs we have endured together help make us who we are. It’s no different for the characters on the page.

Thanks for visiting! Check out what some of my fellow authors have to say about what makes a character memorable in this month’s Round Robin…

Skye Taylor
Marci Baun
Dr. Bob Rich
Beverley Bateman
A.J. Maguire (YOU ARE HERE)
Anne Stenhouse
Rhobin L Courtright

October Round Robin – Time Periods and Why We Pick Them

Topic: In what time period do you prefer to set your stories – past, present, or future? What are the problems and advantages of that choice? 


For me, the time period is often dictated by the characters on the page. I see a character first, and discover when and where they are second. There is one notable exception to the rule here and that’s Deviation, my first science fiction novel.

Deviation was originally planned to be another medieval-era fantasy novel, but a friend challenged me to step outside of my comfort zone and try it in the future instead. Since the novel was based around time-travel, it was easy to make this swap and I discovered that the story made a lot more sense as science fiction.

There were some challenges, of course.

Medieval-Fantasy could have explained the time-travel as magic (within limited rules, of course) whereas the science fiction required a deeper look into… well, science. This brought me through many hours of research, which I found an unexpected love for, and while the medieval-fantasy might have worked, it wouldn’t have been as much fun.

But in reference to what time period I prefer to work with, I have to admit that I love the future. I love the warnings we can give in our writing and the hope that we can instill through it. I enjoy exploring worlds we haven’t set foot on yet, and highlighting those aspects of humanity that have stood the test of time.

Thousands of years from now, we may be living on Mars. That’s science.

Thousands of years from now, people will still be searching for the love of their lives while terraforming Mars. That’s humanity in science. And that’s the stuff I just can’t get enough of.

That being said, Trenna would not be Trenna if she was in space. She requires the sword and the grit of her surroundings, which would not feel right outside of the medieval time-frame. Likewise, Elsie Delgora from Witch-Born wouldn’t be nearly as much fun without the trains and dirigibles of her steampunk society.

I suppose Megan could have been dropped into any war zone and forced to lie, but her story was told best in the middle of WWII for many reasons. We all know the stakes from WWII, we’re intimately familiar with the atrocities that happened there, and we automatically know the danger to this American woman hiding inside Nazi borders. I didn’t have to spell it out, I could concentrate on Megan’s personal journey, which was what I wanted.

Advantages and Disadvantages?

Well, in science fiction you really do have to pay attention to science. You can only expect your reader to suspend disbelief so far, so you need to give plausible explanations for certain things. (Though if you ask me, that’s half the fun of it.)

In historical fiction, you have to adhere to the known timeline. People know when Hitler died. And people have their favored personalities from history, which you need to handle with care. For a great example of someone who handles history and historical persons with creativity and respect, I suggest looking into any of Diana Gabaldon’s work. She’s wonderful.

As to modern/present times… I do have one book I’ve written in the here and now, which is currently being edited/rewritten. This was difficult for me to write in spite of the paranormal aspects to it, but I will undoubtedly write in this time period again. The only way we get better at a thing is if we practice, right?

Check out what my fellow authors have to say about writing in select time periods…

Marie Laval
Anne de Gruchy
Skye Taylor
Dr. Bob Rich
Anne Stenhouse
A.J. Maguire (YOU ARE HERE)
Judith Copek
Victoria Chatham
Beverley Bateman
Heidi M. Thomas
Marci Baun
Helena Fairfax
Diane Bator
Rhobin L Courtright

Haunting Characters

Good characters should haunt you. They should linger with you long after you’ve finished the novel. If a character has been written correctly, you should see traces of them in the people you meet day to day. Perhaps your mother has a similar laugh or your friend at work has that same habit.

Whatever it is, you see it.

The whole purpose of writing is to expose humanity, to dredge through all the nonsense we fill our lives with and highlight the different aspects of being human. We remember characters precisely because they echo our humanity and we identify with them. That’s why it is so hard when we see them struggling or when one of them perishes in the novel.

Jem Carstairs and Will Harindale from Cassandra Clare’s Infernal Devices series always pop to my mind when I see my son playing with his friends. I want him to have that kind of friendship, the kind that hooks deep and shapes who you are. He’s only nine, so he doesn’t understand any of that, but I do.

Elizabeth Bonner from Sara Donati’s Into the Wild constantly challenges me to stand firm in what I believe and not to shy away from hardship. I tend to read this one every spring. There’s something about the descriptions that lets me breathe deep of another time and place.

Jamie Fraser from Diana Gabaldon’s Outlander series reminds me that men and women are very different, and it helps me to communicate and better understand my significant other. And I do mean the books, not the show. Although I’ve enjoyed the show quite a bit too.

My own characters are harder to pin down here. They are essentially part of who I am, even the bad ones, so they haunt me quite a lot. Some of them, such as Liana from the upcoming novel Usurper, are difficult for me to understand and I find myself lingering over her more often than the others.

I’ve come to the point in my life where I recognize that a lot of my writing is an effort to know people. If you’ve ever said; “Ugh, I just don’t know why people are like that.” Or “I will never understand people like that.” Then you know what I mean. I write to understand, and I understand more with every character I write.

My current work in progress, a fantasy revolving around a world divided by war, was originally going to be written with just two voices. My protagonists are both from the poorer faction of society, the slaves/servants, and the outline has them surging through all the prejudice and hate in the effort to bring about peace. But I realized early on that I could not tell a story about forging peace without bringing to light the other side of society.

Thus, I added two more voices to the book. One is a high-ranked official in the government who is working hard to keep things as they are. The other is a lower ranked official who has very good reason to hate the people he is subjugating. Through these two voices, the book is shaping into something a bit more meaningful and, while there is a part of me that will never understand the desire to keep people in slavery, I do understand the fear these men have.

Not merely a fear of losing power, but a fear of losing their homes and their families. With bitterness on both sides of the war, it is hard to imagine that anything less would be done to them and theirs should they lose.

Characters linger, they teach us and help us to see the world we are living in for what it is. And they help us cope, reminding us that humanity is more complicated than good versus evil. Check out what characters haunt my fellow authors in this month’s Round Robin Discussion…

Anne Stenhouse
Heidi M. Thomas
Victoria Chatham
Diane Bator
A.J. Maguire (YOU ARE HERE)
Judith Copek
Beverley Bateman
Fiona McGier
Skye Taylor
Rachael Kosinski
Rhobin Courtright

August Round Robin – Getting Unstuck

This is going to sound weird, but I have a crystal ball. It’s not one of those clear crystal balls that you see fortune tellers use in the movies, it’s a crystal that is cloudy on the inside, full of facets and glimmering spots within the stone.

It’s big enough that it stretches my fingers whenever I hold it, and no matter what time of day, it is cool to the touch. And it’s heavy… heavy enough that I think someone could commit a murder with it if they ever wanted to.

And should I ever write a murder mystery you can be sure that I’ll use a heavy crystal ball as the weapon.

When I get stuck in my writing, my first stop is the crystal ball. I only have so many hours in a day, so the act of pausing to mull over a plot point that isn’t working turns into a real hindrance. Thus … I stop, lift my crystal ball, let it cool and stretch my fingers while I eyeball what I’ve already written.

Then, I sit back down and I write some more because if I wait on my Muse to help me get things done, I would never finish a book.

That’s just the nitty-gritty of writing, though. That’s not what I do if I’m having trouble plotting.

So what do I do when something is broken and I’m having trouble with the plot?

I go to the gym.

Or I go for a walk.

Or a swim.

Basically, I get out. I leave my desk behind and I go do anything other than think about the novel.

… That’s a joke, the novel inevitably comes with me. It clings to my subconscious while I busy myself with things. And, in the middle of doing these things, I will eventually get the eureka moment that tells me what I need to do to fix the book.

But the point is, living life tends to be the best solution when there’s a plot issue in a work. Going out to the park to play with my son has often inspired me to go in different directions with a novel. And once I’ve done that, I find that the book is stronger for it.

But one trick I’ve learned to do is ask this basic question; “What’s the next thing they (character) need?”

For example … the book I’ve been working on the last few weeks is another fantasy novel. I have an outline, but it’s already been broken to bits, and that’s a good thing. Because as I’ve gotten to the end of each chapter, I’ve asked myself that question … “What’s the next thing Cassy/Lorden/Macbyrne needs?”

Well, by the end of chapter 4 I had one very naked Lorden o’Lir with a broken arm. So the basic answer is … Lorden needs clothes. And then he needs to see whatever passes for a medical practitioner in Neargate. Which … completely messes up the outline but makes perfect sense AND makes the novel better.

I suppose it says a lot about their culture when clothes are more important than a broken limb.

See what some of my fellow authors do when they get stuck in a work in this month’s Round Robin discussion …

Diane Bator
(YOU ARE HERE) A.J. Maguire
Anne de Gruchy
Skye Taylor
Victoria Chatham
Marie Laval
Judith Copek
Dr. Bob Rich
Helena Fairfax
Fiona McGier
Heather Haven
Beverley Bateman
Rhobin Courtright


Dead Weight Completion And Beta’s

On August 3rd, three days after I’d hoped to have it done, I wrote “The End” on Dead Weight.

Breaking the deadline by three days isn’t so terrible, so I’m counting this as a win-win all around. The book will need at least two more rounds of revision, but I won’t be touching it for the rest of the year.

Normally at this point, I would track down my wonderful Beta Readers and beg them for their time to read and give feedback on the draft. Some of them require a pint of blood for this transaction, but I’m happy to pay the price if it means I’ll get solid critiques to work with.

However, this year I’ve been studying my craft a bit more and I’ve come to the conclusion that I send the drafts out too soon.

This would be the difference between the Alpha Reader and the Beta Reader. I do have one Alpha Reader who gets my work almost as soon as it’s done. He gets me excited for my work even when I’m frustrated and can’t figure out what’s broken in the manuscript, which is invaluable for a writer.

If you’re a writer and you don’t have an Alpha Reader who happily (or sometimes just politely) listens to your ideas, and then constantly asks if you’ve written that day, I encourage you to find one.

A Beta Reader, on the other hand, is supposed to see a more completed draft. They aren’t — or shouldn’t be — hunting for any huge problems in the plot structure. They look for the motivations of the characters, and the places where the description gets so scrambled they can’t quite picture what’s going on.

Some people can give a second draft to their Beta’s, but I have learned that I cannot.


Well, because with certain novels my second draft has a completely new ending to it.

Okay, so many of my novels end up that way. I get to the last five chapters of the book and then I have to step back. I go work on something else for a while.

And by “a while” I mean a couple of months.

Then, when I’ve been separated from the novel for long enough, I can sit down and do a “revision” of everything already written. This helps me see the promises and sub plots and themes that may have worked themselves into the manuscript so that I can create a more satisfying ending.

But that ending is still a first draft ending.

So … My wonderful Beta Readers, who I love so much, and who – hopefully – understand this plight, will not be receiving a request for feedback until after the next revision.

Which won’t be happening until January.

Camp NaNoWriMo – July 2017

Camp-2017-Winner-Profile-PhotoThis year for Camp NaNoWriMo I chose to focus on revising/rewriting the ending of Dead Weight, the sequel to Tapped. I gave myself a modest goal of 30,000 words, which I surpassed.

However, sitting 3 days away from the end of the July I can say that the first week of August will have to deal with the last chapter or so of the book. Even if I could ignore the fact that I’m a parent and let my child live off Ramen noodles and chocolate donuts, I’m not sure I can write 4 chapters in three days.

Well … maybe I could, but they would be 4 really awful chapters and that would defeat the purpose of revision/rewriting.

So while the word count goal was met, the overall goal of revising the entire novel was not. I still verified my word count and earned my little banner and whatnot from Camp NaNoWriMo because I did participate and … rewards are important.

To anyone else who may have participated this month … Congratulations! Whether you met your goal or not, you got words on paper and that’s what’s important.

To anyone who is flirting with the idea of participating in one of these … I hope you do. I can encourage you to check out NaNoWriMo in November because that’s the big one everyone participates in. And yes, I’ll be there again in November, tackling a completely different project.

For now, however, I have 4 chapters to complete on Dead Weight, new words to write on Song of Swans, and Trenna fans will be pleased to know that the editor got back to me on Usurper so I am knee deep in revisions there as well.

Usurper is scheduled for release in February 2018 and will be available in all digital forms as well as paperback. It is the third installment of the Sedition series featuring Trenna and her husband Nelek as they battle through politics, magic, war, and perhaps the most frightening of all; family.

Since Usurper is put out by Wings ePress, it’s all on the publisher’s schedule and more information will be relayed as it comes to me.