Writing and Business and the In-Between

As of this evening my novelette “Torven” has a completed rough draft. Given its very small length (16006 words) I have been toying around with the idea of giving it away for free or really, really cheap (after it’s gone through a rigorous editing) which has led me to the normal marketing spiel/debate.

I’ve been here before. Often.

In fact, I’d like to say I’ve dipped my toes into murky depths of marketing since Sedition was first published five years ago. (Five years? Really? Sheesh.)

I have not, however, really committed to a marketing plan. Up until this point my focus was on my craft, wanting to just write the next story and grow as an author, and while none of those goals have changed (and never will, because that’s the whole point of taking ownership of your craft) … I can say that I am going to step intrepidly out into the realm of marketing.

I started, quite comically, with a giveaway of Tapped today on Amazon. The giveaway lasted all of an hour, which … really showed me how bad I am at math. (5 books + every 5th entrant wins = about an hour’s worth of giveaway time. Just in case anyone else needs this information.)

But I learned a great deal about what I want to do in the future. I’ve set up a pretty little timetable to follow for marketing – when I want to do what promotions and at what sites – and even color-coded it … because I’m a geek like that.

I am also in the process of revamping my website … with help because I’m really not great at it.

As to writing itself …

With “Torven” done I can go back to Dead Weight, the sequel to Tapped. I’ll be revamping the outline based on the things I learned in James Patterson’s Master Class (still an awesome thing and if you write, you should check it out.)

Basically, I’ll be going over the outline once a week through the month of April. Start to finish. Tightening the plot. Adding elements of the suspense genre into my science fiction … basically implementing everything Mr. Patterson set out to teach me in 22 lessons.

I’m excited.

It’ll be fun.

And I’ll record all the mayhem here because I can … and maybe it’ll help someone else down the road.

 

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The Side Project

My cork board hasn’t changed since January. According to my calendar I should be on Chapter 9, not Chapter 4, of Dead Weight. That big leap I had at the beginning of the year is now completely gone.

But you know what?

I really don’t care.

Because I’ve been working. Granted, I haven’t been working on what I said I’d be working on at this point, but it’s still words on the page.

In fact, it’s over 10,000 words of that lovely fairy tale story I began for my son. He’s enjoying it still, by the way, and it is nearly complete. I should have the full novella by the end of this month. At which point I’ll set it aside for a couple of weeks before doing a round or two of edits and then I intend to put it out for free/super cheap/whatever I can get Createspace to do there.

But I haven’t just been writing on this thing. I also opted to take James Patterson’s Master Class on writing and slowly made it through the 22 lessons there.

Why no, I’ve never written a suspense novel before, but that doesn’t mean that things within the suspense genre can’t be planted into the genres that I prefer writing. In particular, I took away from this class a very distinct outlook on Outlines that I will, at the beginning of April, implement with Dead Weight.

Since I’m only on Chapter 4 there I don’t feel like I’ll be shooting myself in the foot starting over with the Outline and doing it the “Patterson” way.

For those who have been toying with the idea of taking a Master Class like this one, I’m going to go ahead and give the “two thumbs up” and encourage you to do so. There are some things you’ve heard that you’ll hear again, but in the end it’s got some nuggets in there that you can certainly use.

In the meantime, I’ll be posting some of the Fairy Tale on the website and things because … well … it’s fun. And you can’t beat free.

Owning Your Craft – Sedition Version

I began reading Sedition to my son recently. He’s seven now and the whole Fantasy world of Dyngannon seems to appeal to him.

Sedition-WEBThat or he just really likes the sword on the cover. I’m pretty sure much of the story is over his head but, he picked it and all. (Don’t worry, we read picture books before we settle in for a chapter of this one.)

In any case, it’s been nearly six years since that book was first published and Trenna Silvanus remains one of my most popular characters. I get loads of commentary from people wanting to know when the next segment of her story is coming out (soon, I promise) and … yes, this does make my little writer’s ego fluff up in pleasure.

That being said …

If Sedition weren’t already published I would be doing a major overhaul on it.

The dialogue is hard to get through in places. There are dozens and dozens of peripheral characters whose involvement in the story itself could be richer – sometimes shorter, but richer in content at least. The exposition is clunky. The narrator’s voice bounces (particularly in regards to Brenson and Nelek, which I’m going to blame on the fact that I wasn’t handling the male POV right).

The one bright, shining light in the book so far (and we’re only in Chapter Seven) is that Trenna really is likable. She’s spunky, tough, and has a sense of humor that exerts itself in some of the oddest places.

Why am I telling you all this?

This book is out for sale. What sane writer points out the flaws of their own work in a public forum? Who’s gonna go out and buy this thing now?

Honestly?

Because any sane, professional writer also owns their craft.

I own the fact that the book I wrote nearly ten years ago (NOTE: it did not get published as soon as it was finished, it took a long time to find a home) is not as strong as the books I’m writing now.

I own that my personal style has changed with every book I’ve written.

I own the mistakes that are in Sedition just as much as I own the things I did right.

What did I do right?

Trenna.

In fact, the main cast of characters were done right; Nelek, Brenson, Faolan, Marsali, Brock. They have individual voices, concerns, arguments, and motivations. And while I remember it was complicated to the max trying to get all those individuals out into the open without making a 300,000 word book, it worked out in the end.

So this is me owning my craft. Maybe I’ll start working on a 10 year anniversary edition of Sedition and clean up some of my mistakes.

Maaaaybe.

Probably not, though. Because after Usurper is done there’s at least one more book in this series. And the Tapped series has at least 4 main books with several novellas in the queue. And I have a Civil War/Western that has been simmering on the back burning for a while now. Annnnnd … my Dragon Noir.

You get it. There’s lots going on in my head. But hey, if there’s enough interest maybe I will.