WE Master Class – What’s the Point of This Anyway?

For those just joining me, I started going through the Writing Excuses Master Class several weeks ago. I haven’t posted every entry of homework and the like, so this week’s post jumps forward into story structure. I’ve done this because, well, who wants to see every bit of someone else’s homework? And because I would rather point emphatically to the Writing Excuses Podcast and encourage authors to go try this for themselves.

That being said, let’s jump in.

The first episode regarding story structure is a bit of a mesh between what I want to call theme and fuel. Theme defined as the overall purpose of the novel, and fuel being defined as the way in which you encourage readers to keep reading the book.

I say this because much of the conversation questions what the book is about and what the author is aiming for, which would be the theme. Now, having done this writing thing for a while, I can admit that when I deliberately hunt for a theme at the beginning of the writing process, I constantly fall short. Maybe it’s the discovery writer in me, but I have to get the rough draft down first and then I can spot the major themes of the novel.

Something that I took away from the class, and that I will be using in my current editing project, is asking what answers the reader will be looking for in the next chapter. Doing this deliberately, chapter by chapter, is sure to have an effect on the novel as a whole and I am excited to put it into action.

The assignment from this particular episode is rather involved and required that I go out and choose a favored book/movie/show and reverse engineer the plot structure, paying close attention to questions asked and answered and any subplots that ran throughout. I did do this, but I am not going to share it here because… Yeah. Who wants to read my homework?

 

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